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Around Refuse The Hour, Kentridge and his Space-Time of Creation

Author(s): Fanny Le Borgne

Journal: Revista Brasileira de Estudos da Presença
ISSN 2237-2660

Volume: 3;
Issue: 2;
Start page: 498;
Date: 2013;
Original page

Keywords: Kentridge | Interdisciplinarity | Process | Rehearsals | Workshop

This article deals with a creative process born in the intersection of stage, cinema and visual arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.
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