Author(s): Vajs Jernej
Journal: Muzikologija
ISSN 1450-9814
Volume: 2007;
Issue: 7;
Start page: 217;
Date: 2007;
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Keywords: Czech-Slovenian musicians | identity | nationalism | pan Slavism | historism
ABSTRACT
In this article, the author observes and discusses the questions of national identity in the context of Czech and Slovenian music at the turn of the 19th to the 20th century. The Italian and German influences dominating Slovenian music in the past began from the mid 19th century onward to be replaced by predominantly Czech elements as the consequence of the numerous Czech musical immigration in Slovenia. Many of Czech musicians were naturalized in Slovenia and can therefore be included among Slovenian musicians. Although they actively supported the building of a Slovenian national style, they did not feel the need for the repeated аesthetic evaluation of traditional frames.
Journal: Muzikologija
ISSN 1450-9814
Volume: 2007;
Issue: 7;
Start page: 217;
Date: 2007;
VIEW PDF
DOWNLOAD PDF Original pageKeywords: Czech-Slovenian musicians | identity | nationalism | pan Slavism | historism
ABSTRACT
In this article, the author observes and discusses the questions of national identity in the context of Czech and Slovenian music at the turn of the 19th to the 20th century. The Italian and German influences dominating Slovenian music in the past began from the mid 19th century onward to be replaced by predominantly Czech elements as the consequence of the numerous Czech musical immigration in Slovenia. Many of Czech musicians were naturalized in Slovenia and can therefore be included among Slovenian musicians. Although they actively supported the building of a Slovenian national style, they did not feel the need for the repeated аesthetic evaluation of traditional frames.