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From “Modern” to “Contemporary”: A Case in Post-Cultural Revolutionary Art

Author(s): Wu Hung

Journal: Contemporaneity : Historical Presence in Visual Culture
ISSN 2153-5914

Volume: 1;
Start page: 35;
Date: 2011;
Original page

This paper was to have been Wu Hung’s contribution to the conference “Contemporaneity in the History of Art” at the Sterling and Francine Clark Institute, Williamstown, Mass., October 8 and 9, 2009. However, he was unable to attend. The paper is presented here in the form in which it would have been presented. See also, in this issue of Contemporaneity, notes from this conference by its convener, Terry Smith.
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