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Made for the USA: Orozco’s Horrores de la Revolución

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Author(s): Indych Anna

Journal: Anales del Instituto de Investigaciones Estéticas
ISSN 0185-1276

Volume: XXIII;
Issue: 79;
Date: 2001;
Original page

ABSTRACT
This paper traces the development of a body of drawings by José Clemente Orozco known upon their commission as Los Horrores de la Revolución (1926-1928), and their relation to his murals at the Escuela Nacional Preparatoria, in light of the political pressures of the post-revolutionary regime in Mexico, and the demands of the New York art market.
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