Academic Journals Database
Disseminating quality controlled scientific knowledge

Tradução do ser e da verdade em José Marinho e Molière

ADD TO MY LIST
 
Author(s): Cristina Marinho

Journal: Intercâmbio
ISSN 0873-366X

Volume: 3;
Issue: 2;
Start page: 179;
Date: 2010;
VIEW PDF   PDF DOWNLOAD PDF   Download PDF Original page

Keywords: Theatre | Philosophy | Marinho | Molière | Reason | shadow | comedy

ABSTRACT
Theatre, beyond its original mystery and yet in itself, contains, according to José Marinho’s meditation, the human, intimate drama, the pungent experience of looking for nonrepresentable truth. As a convention representing the world, itself representing other worlds, Theater clarifies, in the same large, baroque Molière’s way, the same debate about truth and lie, Poetry and Philosophy confounded, light and shadow images altogether; Marinho’s liberating criticism converges with classical literary renovated canon as far as both destroy a schematic tradition, hostile towards margins, through lucid, uncertain questions. Marinho evokes a verse from L’Avare, he transforms it, developing freely Reason refusing its’ totalitarianism in order to see what Molière’s lovers can see of life and joy, thanks to their love.

Tango Jona
Tangokurs Rapperswil-Jona

     Save time & money - Smart Internet Solutions