Good Mob, Bad Mob: Violence and Community in The Cattle Queen of Montana (1894)
Author(s): Rose, David
Volume: Vol 13
Issue: 2012
Year: 2012




Re-writing ‘Woman’: New Woman Hybridity in Araki Iku’s “The Letter” and Charlotte Perkins Gilman’s “Turned”
Author(s): Khou, Carrie
Volume: Vol 13
Issue: 2012
Year: 2012




Event{u}al Disruptions: Postmodern Theory and Alain Badiou
Author(s): Huber, Sebastian
Volume: Vol 13
Issue: 2012
Year: 2012




Transatlantic Miscommunication in David Hare’s Drama Stuff Happens
Author(s): Golimowska, Karolina
Volume: Vol 13
Issue: 2012
Year: 2012




Waging a Visual War on Poverty: President Lyndon B. Johnson in Appalachia
Author(s): Fackler, Katharina
Volume: Vol 13
Issue: 2012
Year: 2012




Humor and Ambivalence in the Novels of Toni Morrison
Author(s): Chirila, Silvia
Volume: Vol 13
Issue: 2012
Year: 2012




“I was a stuffed toucan”: Poetic Self-Positioning in Robert Lowell’s Life Studies
Author(s): Brunner, Eva
Volume: Vol 13
Issue: 2012
Year: 2012




Blank Gaze and Vacant Skull—Cinema & Brain(s) & (Dis-)Affection in Recent Mindful and Mind-Related US Cinema
Author(s): Betka, Benjamin
Volume: Vol 13
Issue: 2012
Year: 2012




The U.S. Filibusters in Transnational Newspaper Discourses, 1855-1857
Author(s): Beer, Andreas
Volume: Vol 13
Issue: 2012
Year: 2012




“Confusions about the place and the way in which I grew up”: Place and Knowledge in Joan Didion’s Memoir Where I Was From
Author(s): Wagner, Alexandra
Volume: Vol 12
Issue: 2011
Year: 2011




“Welcome to Our Home!”: Staging Practices at Louisa May Alcott’s Orchard House
Author(s): Szlezák, Klara Stephanie
Volume: Vol 12
Issue: 2011
Year: 2011




Shifting Spaces in the Critical Regionalist Fiction of New England
Author(s): Schulte, Marleen
Volume: Vol 12
Issue: 2011
Year: 2011




A Spiritual Homecoming: Ireland in Contemporary Movies about Irish Americans
Author(s): Schein, Alexandra
Volume: Vol 12
Issue: 2011
Year: 2011




The Romantic Veil (of Perception): American Transcendentalism and British Romanticism as a Continuation of Lockean Empiricism
Author(s): Knirsch, Christian
Volume: Vol 12
Issue: 2011
Year: 2011




‘Only Stones and Stories Remain’: Greek American (Travel) Writing about Greece
Author(s): Kindinger, Evangelia
Volume: Vol 12
Issue: 2011
Year: 2011




Building a Better Place: Utopianism and the Revision of Community in Toni Morrison’s Paradise
Author(s): Harz, Verena
Volume: Vol 12
Issue: 2011
Year: 2011




Camping with the Stars: Queer Perfomativity, Pop Intertextuality, and Camp in the Pop Art of Lady Gaga
Author(s): Horn, Katrin
Volume: Vol 11
Issue: 2010
Year: 2010




Unconventional Allies Reunited: Liberal Hawks and Neoconservatives at the Turn of the Century
Author(s): Just, Peter
Volume: Vol 11
Issue: 2010
Year: 2010




Ralph Waldo Emerson versus Cormac McCarthy: The Annihilation of Emerson’s Values in McCarthy’s The Road
Author(s): Kestermann, Nora
Volume: Vol 11
Issue: 2010
Year: 2010




“I won’t always ask”: Complicating Agency in Octavia Butler’s Fledgling
Author(s): Bast, Florian
Volume: Vol 11
Issue: 2010
Year: 2010




Arbitrary Ruptures: The Making of History in Michael Chabon’s The Yiddish Policemen’s Union (2007)
Author(s): Otten, Brite
Volume: Vol 11
Issue: 2010
Year: 2010




“A Lynching in Blackface”: The Representation of History and Fantasies of Black Male Violence in John E. Wideman’s The Lynchers
Author(s): Dexl, Carmen,
Volume: Vol 11
Issue: 2010
Year: 2010




Writing Jazz History: The Emergence of a New Genre
Author(s): Dunkel, Mario
Volume: Vol 11
Issue: 2010
Year: 2010




Hunger and Self-Fashioning in Richard Wright’s Black Boy and Knut Hamsun’s Sult
Author(s): Rees, Daniel
Volume: Vol 11
Issue: 2010
Year: 2010




“They looked German, albeit with even tighter pants and uglier shoes, but there was something different about them”: The Function of East and West Germany and the Fall of the Berlin Wall in Paul Beatty’s Slumberland
Author(s): Schweinfurth, Elisa
Volume: Vol 11
Issue: 2010
Year: 2010




In a Time-Warp: The Issue of Chronology in Siri Hustvedt’s The Blindfold
Author(s): Knirsch, Christian
Volume: Vol 11
Issue: 2010
Year: 2010




Encountering the Familiarity of a Foreign Culture: Julie Dash's Novel Daughters of the Dust
Author(s): Gerund, Katharina
Volume: Vol 11
Issue: 2010
Year: 2010




The Purloined Chamber: A Lacanian Reading of Richard Powers’s Plowing the Dark
Author(s): Heil, Johanna
Volume: Vol 11
Issue: 2010
Year: 2010




Inherent Defeatism in Barry Hannah’s “The Agony of T. Bandini” and “Uncle High Lonesome”
Author(s): Merkel, Julia
Volume: Vol 11
Issue: 2010
Year: 2010




Dystopia, Alternate History and the Posthuman in Bioshock
Author(s): Schmeink, Lars
Volume: Vol 10
Issue: 2009
Year: 2009




The Impact of Tribal Colleges in the Economic Development of Tribal Communities: A Case Study
Author(s): Grob, Anne
Volume: Vol 10
Issue: 2009
Year: 2009




Ambiguity and the Ethics of Reading Race and Lynching in James W. Johnson’s The Autobiography of an Ex-Colored Man (1912)
Author(s): Dexl, Carmen
Volume: Vol 10
Issue: 2009
Year: 2009




“Of Vampire Born”: Interracial Mothering in Black Women’s Speculative Fiction
Author(s): Löffler, Marie-Luise
Volume: Vol 10
Issue: 2009
Year: 2009




Depicting ‘Natural’ Disasters in U.S.-American History and Culture: San Francisco’s City Hall as an Icon of the 1906 Earthquake and Fire
Author(s): Leikam, Susanne
Volume: Vol 10
Issue: 2009
Year: 2009




“Ruled By Fiction?” ‘Real’ Deception and Narrative Truth in Frank Rich’s The Greatest Story Ever Sold (2006)
Author(s): Herrmann, Sebastian M.
Volume: Vol 10
Issue: 2009
Year: 2009




Do the Photos Tell it All? Representing Torture in the Images from Abu Ghraib
Author(s): Dauenhauer, Katrin
Volume: Vol 10
Issue: 2009
Year: 2009




“Stuff That Happened to Me”: Visual Memory in Jonathan Safran Foer’s Extremely Loud & Incredibly Close (2005)
Author(s): Siegel, Elisabteh
Volume: Vol 10
Issue: 2009
Year: 2009




An Event “Like a Movie”? Hollywood and 9/11
Author(s): Rickli, Christina
Volume: Vol 10
Issue: 2009
Year: 2009




Spoken Art: Amy Lowell's Dramatic Poetry and Early Twentieth-Century Expressive Culture
Author(s): Knewitz, Simone
Volume: Vol 9
Issue: 2008
Year: 2008




The Organization Man Still Matters: Sinclair Lewis's Babbitt
Author(s): Hartig, Marcel
Volume: Vol 9
Issue: 2008
Year: 2008




Challenging the Cultural Mosaic: Shani Mootoo's "Out on Main Street"
Author(s): Schneider, Sebastian
Volume: Vol 9
Issue: 2008
Year: 2008




"Timeless People": The Development of the Ancestral Figure in Three Novels by Alice Walker
Author(s): Heczková, Jana
Volume: Vol 9
Issue: 2008
Year: 2008




"Children aren’t everything": Maternal Ambivalences in Nella Larsen’s Fiction Marie-Luise Löffler
Author(s): Löffler, Marie-Luise
Volume: Vol 9
Issue: 2008
Year: 2008




How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
Author(s): Pöhlmann, Sascha
Volume: Vol 9
Issue: 2008
Year: 2008




George Gustav Heye and the National Museum of the American Indian - Collecting the Collector
Author(s): Zittlau, Andrea
Volume: Vol 8
Issue: 2007
Year: 2007




"Yo-ho, A Pirates Life For Me" – Queer Positionalities, Heteronormativity, and Piracy in Pirates of the Caribbean. A Queer Reading.
Author(s): Steinhoff, Heike
Volume: Vol 8
Issue: 2007
Year: 2007




"The Tube is Flickering Now": Aesthetics of Authenticity in Good Night, and Good Luck
Author(s): Nitzsche, Sina
Volume: Vol 8
Issue: 2007
Year: 2007




"The Tiger's Eyes Are Like My Own": Depictions of Japaneseness in Contemporary American Movies
Author(s): Laemmerhirt, Iris-Aya
Volume: Vol 8
Issue: 2007
Year: 2007




Battleground Masculinity: Gendertroublers and Gatekeepers in Oliver Stone's Platoon (1986)
Author(s): Hein, Christina Judith
Volume: Vol 8
Issue: 2007
Year: 2007




The Spectacle of the Other: Representations of Chinatown in Michael Cimino’s Year of the Dragon (1985) and John Carpenter’s Big Trouble in Little China (1986)
Author(s): Bidlingmaier, Selma Siew Li
Volume: Vol 8
Issue: 2007
Year: 2007




"…the white women all go for sex": Discourses of Gender, Race, Ethnicity in the American Woman’s Rights Movement, 1869
Author(s): Bank, Michaela
Volume: Vol 8
Issue: 2007
Year: 2007




"There is Music in Every Sound": Thoreau's Modernist Understanding of Music
Author(s): Bock, Jannika
Volume: Vol 7
Issue: 2006
Year: 2006




Members of the Tribe: Jewish-Amerindian Theory and the Making of a Modern American Consciousness
Author(s): Cohen, Julia
Volume: Vol 7
Issue: 2006
Year: 2006




Pro-abstinence Discourses and the Definition of the Conservative Christian Identity in the Contemporary United States
Author(s): Greslé-Favier, Claire
Volume: Vol 7
Issue: 2006
Year: 2006




Virtual Commuters? The American Transnational Academic Exchangee
Author(s): Niehues, Wolfgang
Volume: Vol 7
Issue: 2006
Year: 2006




Hans J. Massaquoi’s Destined to Witness as an Autobiographical Act of Identity Formation
Author(s): Lindhout, Alexandra E.
Volume: Vol 7
Issue: 2006
Year: 2006




Interkulturelle Hochschullehre: Internationalisierungsstrategien am Beispiel des Fachs Amerikanistik
Author(s): Küchler, Uwe
Volume: Vol 7
Issue: 2006
Year: 2006




Das doppelt verwundene ödipale Dreieck in David Lynchs Lost Highway
Author(s): Tober, Antje
Volume: Vol 7
Issue: 2006
Year: 2006




Performing Resistance: Contemporary American Performance-Activism
Author(s): Wiegmink, Pia
Volume: Vol 7
Issue: 2006
Year: 2006




Narrative Strategien in der TV-Serie Desperate Housewives
Author(s): Fuchs, Marion
Volume: Vol 6
Issue: 2005
Year: 2005




Stuff That Happened To Me: Visuelle Verfahren in Jonathan Safran Foers Extremely Loud & Incredibly Close (2005)
Author(s): Jakob, Wanda
Volume: Vol 6
Issue: 2005
Year: 2005




"Criticizing Americanness in 3D": Paul McCarthys F-Fort
Author(s): Weis, Katharina Klara
Volume: Vol 6
Issue: 2005
Year: 2005




"Time-Based Paintings": Jeremy Blakes Winchester Trilogy (2001-2004)
Author(s): Teine, Sonja
Volume: Vol 6
Issue: 2005
Year: 2005




"Computer-generated history": Zur paradoxen Dualität von Populärkultur und Zeitgeschichte in Jon Haddocks Screenshots
Author(s): Prosch, Reinhard
Volume: Vol 6
Issue: 2005
Year: 2005




Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
Author(s): Scheitzeneder, Franziska
Volume: Vol 6
Issue: 2005
Year: 2005




"The Pleasure Is All Mine": Music and Female Sexual Autonomy
Author(s): Strube, Miriam
Volume: Vol 5
Issue: 2004
Year: 2004




"This Book Changed My Life": 'Oprah's Book Club' and The Poisonwood Bible
Author(s): McPherson, Annika
Volume: Vol 5
Issue: 2004
Year: 2004




"Sex in Bed or Sex in the Head?" - A Transatlantic Love Affair
Author(s): Becker, Anja
Volume: Vol 4
Issue: 2003
Year: 2003




From Opposition to Integration: Stages in the Development of the "New Woman" in Selected Provincetown Plays
Author(s): Auflitsch, Susanne
Volume: Vol 4
Issue: 2003
Year: 2003




'Black Magic' and Diasporic Imagination
Author(s): Raupach, Kirsten
Volume: Vol 3
Issue: 2002
Year: 2002




Die Auslöschung der Welt: Steven Millhausers Martin Dressler und die Architektur des amerikanischen Traums
Author(s): Ackermann, Zeno
Volume: Vol 3
Issue: 2002
Year: 2002




The Private Goes Public: Gender and Cultural Spaces in Abraham Cahan's Yekl: A Tale of the New York Ghetto
Author(s): Soost, Nicole
Volume: Vol 2
Issue: 2001
Year: 2001




The BLUR (Blues Lyrics Collected at the University of Regensburg) Corpus: Blues Lyricism and the African American Literary Tradition
Author(s): Miethaner, Ulrich
Volume: Vol 2
Issue: 2001
Year: 2001




Stories of Female Initiation: Two 19th-Century Examples of Female Professional Success
Author(s): Bergmann, Ina
Volume: Vol 2
Issue: 2001
Year: 2001




Brought Up to Be American: The Assimilation Process of Children and Teenage Refugees from Germany in the 1930s and 1940s in New York
Author(s): Susemihl, Geneviève
Volume: Vol 1
Issue: 2000
Year: 2000




How to Author a Walk: Henry David Thoreau’s and Mary Austin’s Regional Narratives of Environmental Learning
Author(s): Schäfer, Heike
Volume: Vol 1
Issue: 2000
Year: 2000




History and Storytelling: Historical Narratives by Women Authors of the Contemporary American South
Author(s): Rothaug, Susanne
Volume: Vol 1
Issue: 2000
Year: 2000




Between Earth Science and Language/Writing Imagery: How to Render the Workings of Memory in Anne Michaels' Fugitive Pieces
Author(s): Quennet, Fabienne C.
Volume: Vol 1
Issue: 2000
Year: 2000




Now You See Me, Now You Don't: Fanny Fern's Private Theatricals in Ruth Hall: A Domestic Tale of the Present Time (1854)
Author(s): Harer, Dietrich
Volume: Vol 1
Issue: 2000
Year: 2000




"The Best Way to Explain It Is to Do It": Ida Cannon and the Professionalization of Medical Social Work During the Progressive Era and the 1920s
Author(s): Bickmeyer, Anette
Volume: Vol 1
Issue: 2000
Year: 2000




Postmodernism.com: A Polemic
Author(s): Berkemeier, Christian S.
Volume: Vol 1
Issue: 2000
Year: 2000



