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Journal of Aesthetics & Culture

ISSN: 2000--4214
Publisher: Co-Action


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Ingmar Bergman, the biographical legend and the intermedialities of memory

Author(s): Maaret Koskinen
Volume: 2
Issue: 00
Year: 2010
A short paragraph from the laboratory

Author(s): Patrik Eriksson
Volume: 5
Year: 2013
Toward a New Conceptualization of The Wire as a Media Object

Author(s): Jakob Nilsson
Volume: 5
Year: 2013
Veils and sunglasses

Author(s): Thorsten Botz-Bornstein
Volume: 5
Year: 2013
Editorial: John Sundholm

Author(s): John Sundholm | Bodil Marie Stavning Thomsen
Volume: 5
Year: 2013
The Gaze as constituent and annihilator

Author(s): Mats Carlsson
Volume: 4
Year: 2012
Perversion and pathology: a critique of psychoanalytic criticism in art

Author(s): Lucille Holmes
Volume: 4
Year: 2012
Honesty with the real

Author(s): Marina Garcés
Volume: 4
Year: 2012
FOREWORD

Author(s): Bodil Marie Stavning Thomsen | John Sundholm | Ulla Angkjær Jørgensen
Volume: 4
Year: 2012
Sound [signal] noise: significative effects in contemporary sonic art practices

Author(s): Thomas Bøgevald Bjørnsten
Volume: 4
Year: 2012
Connect and immerse: a poetry of codes and signals

Author(s): Jesper Olsson
Volume: 4
Year: 2012
It has not been—it is. The signaletic transformation of photography

Author(s): Mette Sandbye
Volume: 4
Year: 2012
Experience in-between architecture and context: the New Acropolis Museum, Athens

Author(s): Annette Svaneklink Jakobsen
Volume: 4
Year: 2012
The disruptive aesthetics of hijacking urban space

Author(s): Thomas Markussen
Volume: 4
Year: 2012
From signal to signification in interactive environments

Author(s): Jonas Fritsch
Volume: 4
Year: 2012
Immediation as process and practice of signaletic mattering

Author(s): Christoph Brunner
Volume: 4
Year: 2012
Pulse on pulse: modulation and signification in Rafael Lozano-Hemmer's Pulse Room

Author(s): Merete Carlson | Ulrik Schmidt
Volume: 4
Year: 2012
Creation and erasure: music video as a signaletic form of practice

Author(s): Mathias Bonde Korsgaard
Volume: 4
Year: 2012
Signaletic, haptic and real-time material

Author(s): Bodil Marie Stavning Thomsen
Volume: 4
Year: 2012
EDITORIAL

Volume: 3
Year: 2011
EDITORIAL

Volume: 4
Year: 2012
Digital finger: beyond phenomenological figures of touch

Author(s): Mika Elo
Volume: 4
Year: 2012
Why do vampires avoid mirrors? Reflections on specularity in the visual arts

Author(s): Vangelis Athanassopoulos
Volume: 4
Year: 2012
Visions of transnational memory

Author(s): John Sundholm
Volume: 3
Year: 2011
Transnational sense of place: cinematic scenes of Finnish war child memories

Author(s): Anna-Kaisa Kuusisto-Arponen
Volume: 3
Year: 2011
Structuralism in architecture: a definition

Author(s): Lisbeth Söderqvist
Volume: 3
Year: 2011
What it is? A question on the derivation of musical meaning

Author(s): Michael Laurence Woods
Volume: 2
Year: 2010
Hosting the animal: the art of Kathy High

Author(s): Irina Aristarkhova
Volume: 2
Year: 2010
Towards a poetics of the cinematographic frame

Author(s): Des O'Rawe
Volume: 3
Year: 2011
Introduction to the dossier on transnational cultural memory

Author(s): John Sundholm | Adrian Velicu
Volume: 3
Year: 2011
Cultural memory between the national and the transnational

Author(s): Adrian Velicu
Volume: 3
Year: 2011
Transnational archives: the Canadian case

Author(s): Julia Creet
Volume: 3
Year: 2011
Aspects of memory acts: transnational cultural memory and ethics

Author(s): Steffi Hobuß
Volume: 3
Year: 2011
EDITORIAL

Author(s): Astrid Söderbergh Widding | Lars Gustaf Andersson | John Sundholm
Volume: 2
Year: 2010
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