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Revista Brasileira de Estudos da Presença

ISSN: 2237--2660
Publisher: Universidade Federal do Rio Grande do Sul


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Transvestite Corporeality in the Poetic Deformance of Naty Menstrual

Author(s): Guillermina Bevacqua
Volume: 3
Issue: 3
Year: 2013
Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids

Author(s): Ezequiel Lozano
Volume: 3
Issue: 3
Year: 2013
Intimate Rites and Ethical Proposals in Vivi Tellas’s Project Museums

Author(s): Brenda Werth
Volume: 3
Issue: 3
Year: 2013
The Presence of Legacies in Contemporary Argentine Performances

Author(s): Federico Baeza
Volume: 3
Issue: 3
Year: 2013
Interventions in the Public Space: performance, gaze, and the city

Author(s): María Laura González
Volume: 3
Issue: 3
Year: 2013
Actor’s Dramaturgy: pulling threads from a thick plot

Author(s): Alice Stefânia Curi
Volume: 3
Issue: 3
Year: 2013
The Actor’s Work and the Art of Fictionalising Oneself

Author(s): Celina Nunes de Alcântara
Volume: 3
Issue: 3
Year: 2013
Psychophysical Precision in the Total Act

Author(s): Lidia Olinto | Matteo Bonfitto
Volume: 3
Issue: 3
Year: 2013
Postdramatic Theatre, 12 years later

Author(s): Hans-Thies Lehmann
Volume: 3
Issue: 3
Year: 2013
Traces that Emulate Figures: the staging of Samuel Beckett’s Ohio Impromptu

Author(s): Luiz Marfuz
Volume: 3
Issue: 2
Year: 2013
Presence or the Quality of Discreetly Being There

Author(s): Maíra Castilhos Coelho
Volume: 3
Issue: 2
Year: 2013
Beyond Technology, there Stands Magic

Author(s): Lúcia Fernandes Lobato
Volume: 3
Issue: 2
Year: 2013
A Tale of Encounters with Lia Rodrigues Cia. de Danças

Author(s): Bianca Scliar Mancini
Volume: 3
Issue: 2
Year: 2013
A Prop’s Story: from everyday life to the stage

Author(s): Filipa Malva
Volume: 3
Issue: 2
Year: 2013
Arthur Lessac: an essay on Body energies in actor’s training

Author(s): Maria Regina Tocchetto de Oliveira
Volume: 3
Issue: 2
Year: 2013
The Production of Theater: stakes and paradoxes

Author(s): Josette Féral
Volume: 3
Issue: 2
Year: 2013
A Diary of Genesis: L’Atelier Volant by Valère Novarina

Author(s): Jean-Marie Thomasseau
Volume: 3
Issue: 2
Year: 2013
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre

Author(s): Almuth Grésillon | Marie-Madeleine Mervant-Roux
Volume: 3
Issue: 2
Year: 2013
Around Refuse The Hour, Kentridge and his Space-Time of Creation

Author(s): Fanny Le Borgne
Volume: 3
Issue: 2
Year: 2013
Expediente

Volume: 3
Issue: 2
Year: 2013
Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 3
Issue: 2
Year: 2013
Pan Pan Theatre Aesthetics

Author(s): Noelia Ruiz
Volume: 3
Issue: 2
Year: 2013
Genetics of a Reenactment in Jan Fabre’s Work

Author(s): Giulio Boato
Volume: 3
Issue: 2
Year: 2013
The Manuscript Traces of the Spectacle: staging records

Author(s): Fahd Kaghat
Volume: 3
Issue: 2
Year: 2013
For a Theatrical Genetics: assumptions and challenges

Author(s): Almuth Grésillon | Marie-Madeleine Mervant-Roux | Dominique Budor
Volume: 3
Issue: 2
Year: 2013
Performativity and Genesis of the Scene

Author(s): Sílvia Fernandes
Volume: 3
Issue: 2
Year: 2013
The Two Sources of Delsarte’s Lessons: observations and metaphysics

Author(s): Franck Waille
Volume: 2
Issue: 2
Year: 2012
Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 2
Issue: 2
Year: 2012
Expediente

Author(s): Revista Brasileira de Estudos de Presença
Volume: 2
Issue: 2
Year: 2012
The Conservative Avant-Garde

Author(s): Richard Schechner
Volume: 2
Issue: 2
Year: 2012
Body: presence and transience

Author(s): Marcelo Andrés Comandú
Volume: 2
Issue: 2
Year: 2012
The Reinterpretation of the Body in Theater in Face of Everyday Mediations

Author(s): Carlos Fos
Volume: 2
Issue: 2
Year: 2012
“Telling stories has always been the art of telling them again”

Author(s): Ana Cecília de Carvalho Reckziegel | Gisela Costa Habeyche
Volume: 2
Issue: 2
Year: 2012
Usina do Trabalho do Ator: creative (mis)direction

Author(s): Marcelo de Andrade Pereira
Volume: 2
Issue: 2
Year: 2012
The Cannibalism of Usina do Trabalho do Ator

Author(s): Clóvis Dias Massa
Volume: 2
Issue: 2
Year: 2012
Usina do Trabalho do Ator: the recognition of an identity

Author(s): Eliane Tejera Lisbôa
Volume: 2
Issue: 2
Year: 2012
Manuscripts

Author(s): François Delsarte
Volume: 2
Issue: 2
Year: 2012
The Influence of Delsarte’s Work in the United States: Late 19th Century and Beyond

Author(s): Nancy Lee Chalfa Ruyter
Volume: 2
Issue: 2
Year: 2012
François Delsarte and Modern Dance: an encounter in physical expression

Author(s): Elisa Teixeira de Souza
Volume: 2
Issue: 2
Year: 2012
The Influence of François Delsarte’s Ideas on the Modernity of Dance

Author(s): Maria Albertina Silva Grebler
Volume: 2
Issue: 2
Year: 2012
The Contributions of François Delsarte’s Pedagogy Modern Dance Training

Author(s): Marcilio de Souza Vieira
Volume: 2
Issue: 2
Year: 2012
The Interpretations of the Delsarte System in Russian and Soviet Theatre in the 1910s and 1920s

Author(s): Marie-Christine Autant-Mathieu
Volume: 2
Issue: 2
Year: 2012
Delsarte and Laban: the origins and principles of an aesthetic revolution

Author(s): Sônia Machado de Azevedo
Volume: 2
Issue: 2
Year: 2012
The Laboratory of the Dramaturge and Studies on Theatrical Genetics: experiments

Author(s): Maria de Lourdes Rabetti
Volume: 1
Issue: 2
Year: 2011
Art, Biopolitics and Resistance

Author(s): Carminda André
Volume: 1
Issue: 2
Year: 2011
9/11 as Avant-Garde Art?

Author(s): Richard Schechner
Volume: 1
Issue: 2
Year: 2011
The Foreign Actor or the Other in Theatre

Author(s): Georges Banu
Volume: 1
Issue: 2
Year: 2011
The Corporality and the Performative Power of the Actor

Author(s): Gabriela Pérez Cubas
Volume: 1
Issue: 2
Year: 2011
Presence in Events

Author(s): Renato Ferracini | Ricardo Puccetti
Volume: 1
Issue: 2
Year: 2011
Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 1
Issue: 2
Year: 2011
Expediente

Author(s): Revista Brasileira de Estudos da Presença
Volume: 1
Issue: 2
Year: 2011
Body Presence on Stage in Performance Studies and in Ethnoscenology

Author(s): Armindo Jorge de Carvalho Bião
Volume: 1
Issue: 2
Year: 2011
Intimacy and the Search for True Meetings in Theatre

Author(s): André Carreira
Volume: 1
Issue: 2
Year: 2011
The Leap of the Cat or Reflections on the Actor's Presence

Author(s): Inês Alcaraz Marocco | Elisa Heidrich | Kalisy Cabeda | Philipe Philippsen | Rodrigo Fiatt
Volume: 1
Issue: 2
Year: 2011
Far from Eyes, Close to Heart

Author(s): Edelcio Mostaço
Volume: 1
Issue: 2
Year: 2011
Si vis me flere. Emotions in the mirror

Author(s): Clelia Falletti
Volume: 1
Issue: 2
Year: 2011
On Children, on Theatre, on Non-Understanding

Author(s): Hans-Thies Lehmann
Volume: 1
Issue: 2
Year: 2011
A Desire Without an Object

Author(s): Mario Biagini
Volume: 3
Issue: 1
Year: 2013
Notes about “Art as a Vehicle” and the Alchemical Craft of the Performer

Author(s): Cassiano Sydow Quilici
Volume: 3
Issue: 1
Year: 2013
Maps and Paths: bodily practices and transculturality

Author(s): Fernando Antonio Mencarelli
Volume: 3
Issue: 1
Year: 2013
The Laboratory Theatre Spectator’s Paradox

Author(s): Bénédicte Boisson
Volume: 3
Issue: 1
Year: 2013
Essence and Personality in Grotowski and Gurdjieff

Author(s): Mauro Rodrigues
Volume: 3
Issue: 1
Year: 2013
Via Negativa as a Crossing Space: actor training and its connection with the Real

Author(s): Carla Andréa Lima
Volume: 3
Issue: 1
Year: 2013
The Century of Jerzy Grotowski

Author(s): Antonio Attisani
Volume: 3
Issue: 1
Year: 2013
Apresentação: para reler Grotowski

Author(s): Tatiana Motta Lima
Volume: 3
Issue: 1
Year: 2013
Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 3
Issue: 1
Year: 2013
Expediente

Author(s): Revista Brasileira de Estudos de Presença
Volume: 3
Issue: 1
Year: 2013
At Work with Grotowski on Physical Actions

Author(s): Patricia Furtado de Mendonça
Volume: 3
Issue: 1
Year: 2013
Brook avec Grotowski: testimony of life and art of a certain Pole

Author(s): Larissa Elias
Volume: 3
Issue: 1
Year: 2013
“A Quite Diferent Life”

Author(s): Ricardo Carlos Gomes
Volume: 3
Issue: 1
Year: 2013
Deconstructing Grotowski

Author(s): Dorys Faria Calvert
Volume: 3
Issue: 1
Year: 2013
Poor Theatre: goal or path?

Author(s): Lidia Olinto
Volume: 3
Issue: 1
Year: 2013
A Meeting at the University of Rome “La Sapienza” or On Onion-Growing

Author(s): Mario Biagini
Volume: 3
Issue: 1
Year: 2013
The Art of the Encounter

Author(s): Éric Vautrin
Volume: 3
Issue: 1
Year: 2013
On The Living Room

Author(s): Thomas Richards
Volume: 3
Issue: 1
Year: 2013
Notes on The Living Room and I am America

Author(s): Antonio Attisani
Volume: 3
Issue: 1
Year: 2013
The Guest-Spectator

Author(s): Piergiorgio Giacchè
Volume: 3
Issue: 1
Year: 2013
Translating Death to Think About Art: notes on the postdramatic scene

Author(s): Beatriz Trastoy
Volume: 2
Issue: 1
Year: 2012
Where Could an Anthropological Turn Lead the Humanities and the Arts

Author(s): Hans Ulrich Gumbrecht
Volume: 2
Issue: 1
Year: 2012
Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure

Author(s): Nara Waldemar Keiserman
Volume: 2
Issue: 1
Year: 2012
Theatre’s Conceptual Turn: on theatre performance investigation

Author(s): Luis Fernando Loaiza Zuluaga
Volume: 2
Issue: 1
Year: 2012
Nominal Ethnocentrism and the Performing Arts

Author(s): Jean-Marie Pradier
Volume: 2
Issue: 1
Year: 2012
Brief Report on a Transdisciplinary Teenager: ethnoscenology

Author(s): Armindo Jorge de Carvalho Bião
Volume: 2
Issue: 1
Year: 2012
Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 2
Issue: 1
Year: 2012
Expediente

Author(s): Revista Brasileira de Estudos da Presença
Volume: 2
Issue: 1
Year: 2012
Expediente

Author(s): Revista Brasileira de Estudos da Presença
Volume: 1
Issue: 1
Year: 2011
Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 1
Issue: 1
Year: 2011
The Body Onstage: orality and ethnoscenology

Author(s): Alexandra Gouvea Dumas
Volume: 2
Issue: 1
Year: 2012
The Taint of Violence: insurgent voices in Brazilian Black Theatre

Author(s): Marcos Antônio Alexandre
Volume: 2
Issue: 1
Year: 2012
The Study of Performing Arts Through the Prism of an Anthropology of Aesthetics

Author(s): Laure Garrabé
Volume: 2
Issue: 1
Year: 2012
Venezuela 1976: the meeting of Odin Teatret with the Yanomamis

Author(s): Arianna Berenice De Sanctis
Volume: 2
Issue: 1
Year: 2012
Aesthetic Pleasure: a somaesthetic laboratory in a dance classroom

Author(s): Mônica Medeiros Ribeiro
Volume: 2
Issue: 1
Year: 2012
Friday Night Pearls of Wisdom

Author(s): Thomas Leabhart
Volume: 2
Issue: 1
Year: 2012
Incomprehensibility and Hope

Author(s): Eugenio Barba
Volume: 2
Issue: 1
Year: 2012
Back to the Closed Room: my dialogue with Jerzy Grotowski

Author(s): Franco Ruffini
Volume: 1
Issue: 1
Year: 2011
Narratives of Teachers: theater and experience

Author(s): Andréa Maria Favilla Lobo
Volume: 1
Issue: 1
Year: 2011
Storytellers about Theater and Education

Author(s): Vera Lúcia Bertoni dos Santos
Volume: 1
Issue: 1
Year: 2011
The Inter-twining of Modern Performance Studies and Current Trends in Anthropology

Author(s): Marvin Carlson
Volume: 1
Issue: 1
Year: 2011
Will the 21 st Century be Aristotelian?

Author(s): Hans Ulrich Gumbrecht
Volume: 1
Issue: 1
Year: 2011
The Performative Presence in the Scenics Arts and the Improvisation

Author(s): Gisela Reis Biancalana
Volume: 1
Issue: 1
Year: 2011
Presence and Subjectivation Processes

Author(s): Beatriz Ângela Vieira Cabral
Volume: 1
Issue: 1
Year: 2011
Pause, Presence, Public: from Dance Theater to Workshop Performance

Author(s): Ciane Fernandes
Volume: 1
Issue: 1
Year: 2011
Hierarchy of the Real in Contemporary Performative Mimesis

Author(s): Luiz Fernando Ramos
Volume: 1
Issue: 1
Year: 2011
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