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O cantor Hermeto Pascoal: os instrumentos da voz The singer Hermeto Pascoal: the voice's instruments

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Author(s): Luiz Costa-Lima Neto

Journal: Per Musi
ISSN 1517-7599

Issue: 22;
Start page: 44;
Date: 2010;
Original page

Keywords: etnomusicologia | Hermeto Pascoal | música popular brasileira | voz | música instrumental | ethnomusicology | Hermeto Pascoal | Brazilian popular music | voice | instrumental music

ABSTRACT
Artigo sobre a utilização da voz na música do compositor Hermeto Pascoal, seja cantando, falando, gritando, sussurrando, rezando, tossindo, gargalhando, assobiando, produzindo sons guturais, sozinha ou simultaneamente com instrumentos de sopro, de teclas, com objetos sonoros não convencionais ou, ainda, de outras formas. Ao contemplar a produção vocal na obra e na vida de Hermeto Pascoal, de maneira abrangente, pretendo mostrar uma faceta pouco conhecida do versátil compositor alagoano, além de revelar que a sua música e a sua personalidade partilham uma mesma ética, da qual a voz é instrumento.Article about Brazilian composer Hermeto Pascoal's utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument.
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