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From Sound Morphing to the Synthesis of Starlight. Musical experiences with the Phase Vocoder over 25 years

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Author(s): Trevor Wishart

Journal: Musica e Tecnologia
ISSN 1974-0042

Volume: 7;
Start page: 65;
Date: 2013;
Original page

ABSTRACT
The article reports the author’s experiences with the phase vocoder. Starting from the first attempts during the years 1973-77 – in connection with a speculative project to morph the sounds of a speaking voice into sounds from the natural world, project subsequently developed at Ircam in Paris between 1979 and 1986 – up to the most recent experiences in 2011-12 associated with the realization of Supernova, an 8-channel sound-surround piece, where the phase vocoder data format is used as a synthesis tool.
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