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Sonetos de Amor de Adami, para flauta doce e piano: análise e performance Sonnets of Love by Adami, for recorder and piano: analysis and performance

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Author(s): Luciane Cuervo

Journal: Per Musi
ISSN 1517-7599

Issue: 26;
Start page: 159;
Date: 2012;
Original page

Keywords: performance | análise musical | flauta doce e piano | música brasileira contemporânea | performance | musical analyzes | recorder and piano | Brazilian contemporary music

ABSTRACT
Este trabalho analisa e discute a construção da performance de Sonetos de Amor, obra de Felipe Kirst Adami para flauta doce e piano composta em 1999. A composição foi inspirada na obra poética Cien Sonetos de Amor de Pablo Neruda, tendo sido registrada no CD Sonetos de Amor e Morte, de Luciane Cuervo. Neste texto, a pesquisadora e intérprete reflete sobre o contexto da composição e de seu criador, bem como analisa a escrita idiomática para os instrumentos e a sua interpretação, buscando fornecer subsídios para futuros intérpretes e compositores interessados nesta formação instrumental. O artigo está organizado em quatro partes, analogamente aos quatro movimentos da obra: Manhã, Meio-Dia, Tarde, Noite.This paper analyzes and discusses the construction of the performance of Sonetos de Amor (Sonnets of Love), for flute and piano, work composed in 1999 by Felipe Kirst Adami. The work was inspired by the poetry collection Cien Sonetos de Amor by Pablo Neruda, having been recorded on CD Sonetos de Amor e Morte (Sonnets of Love and Death) by Luciane Cuervo. In this paper, the researcher and interpreter reflects on the context of the composition and its creator, as well as analyzes the idiomatic writing for the instruments and their interpretation, seeking to provide elements for future performers and composers interested in these instruments. The paper is organized in four parts, similarly to the four movements of the work: Morning, Noon, Evening, Night.
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