Editorial: John Sundholm
Author(s): John Sundholm | Bodil Marie Stavning Thomsen
Volume: 5
Year: 2013
Author(s): John Sundholm | Bodil Marie Stavning Thomsen Volume: 5 Year: 2013
“Taste is not to conform to the art, but the art to the taste”: aesthetic instrumentalism and the British body politic in the neoclassical age
Author(s): Karl Axelsson
Volume: 5
Year: 2013
Author(s): Karl Axelsson Volume: 5 Year: 2013
Toward a New Conceptualization of The Wire as a Media Object
Author(s): Jakob Nilsson
Volume: 5
Year: 2013
Author(s): Jakob Nilsson Volume: 5 Year: 2013
Mashing and remixing: using the quadripartita ratio in the aesthetic public sphere
Author(s): Miles C. Coleman
Volume: 5
Year: 2013
Author(s): Miles C. Coleman Volume: 5 Year: 2013
Autonomy, pluralism, play: Danto, Greenberg, Kant, and the philosophy of art history
Author(s): Clark Buckner
Volume: 5
Year: 2013
Author(s): Clark Buckner Volume: 5 Year: 2013
Immediation as process and practice of signaletic mattering
Author(s): Christoph Brunner
Volume: 4
Year: 2012
Author(s): Christoph Brunner Volume: 4 Year: 2012
From signal to signification in interactive environments
Author(s): Jonas Fritsch
Volume: 4
Year: 2012
Author(s): Jonas Fritsch Volume: 4 Year: 2012
Pulse on pulse: modulation and signification in Rafael Lozano-Hemmer's Pulse Room
Author(s): Merete Carlson | Ulrik Schmidt
Volume: 4
Year: 2012
Author(s): Merete Carlson | Ulrik Schmidt Volume: 4 Year: 2012
Sound [signal] noise: significative effects in contemporary sonic art practices
Author(s): Thomas Bøgevald Bjørnsten
Volume: 4
Year: 2012
Author(s): Thomas Bøgevald Bjørnsten Volume: 4 Year: 2012
It has not been—it is. The signaletic transformation of photography
Author(s): Mette Sandbye
Volume: 4
Year: 2012
Author(s): Mette Sandbye Volume: 4 Year: 2012
A cinema of presence and proximity: Gunvor Nelson's collage films and the aesthetics of the signaletic material before the electronic signal
Author(s): John Sundholm
Volume: 4
Year: 2012
Author(s): John Sundholm Volume: 4 Year: 2012
Perversion and pathology: a critique of psychoanalytic criticism in art
Author(s): Lucille Holmes
Volume: 4
Year: 2012
Author(s): Lucille Holmes Volume: 4 Year: 2012
Experience in-between architecture and context: the New Acropolis Museum, Athens
Author(s): Annette Svaneklink Jakobsen
Volume: 4
Year: 2012
Author(s): Annette Svaneklink Jakobsen Volume: 4 Year: 2012
Signaletic, haptic and real-time material
Author(s): Bodil Marie Stavning Thomsen
Volume: 4
Year: 2012
Author(s): Bodil Marie Stavning Thomsen Volume: 4 Year: 2012
Perceptual-responsive environments: sense and sensibility in Japanese media artist Seiko Mikami's installations
Author(s): Yvonne Spielmann
Volume: 4
Year: 2012
Author(s): Yvonne Spielmann Volume: 4 Year: 2012
The post-perspectival: screens and time in David Lynch's Inland Empire
Author(s): Anne Jerslev
Volume: 4
Year: 2012
Author(s): Anne Jerslev Volume: 4 Year: 2012
Hacking the aesthetic: David Haines and Joyce Hinterding's new ecologies of signal
Author(s): Andrew Murphie
Volume: 4
Year: 2012
Author(s): Andrew Murphie Volume: 4 Year: 2012
Creation and erasure: music video as a signaletic form of practice
Author(s): Mathias Bonde Korsgaard
Volume: 4
Year: 2012
Author(s): Mathias Bonde Korsgaard Volume: 4 Year: 2012
Why do vampires avoid mirrors? Reflections on specularity in the visual arts
Author(s): Vangelis Athanassopoulos
Volume: 4
Year: 2012
Author(s): Vangelis Athanassopoulos Volume: 4 Year: 2012
FOREWORD
Author(s): Bodil Marie Stavning Thomsen | John Sundholm | Ulla Angkjær Jørgensen
Volume: 4
Year: 2012
Author(s): Bodil Marie Stavning Thomsen | John Sundholm | Ulla Angkjær Jørgensen Volume: 4 Year: 2012
Bodies and real-time interfaces: in video performance and interactive digital 3D installation art by VALIE EXPORT and Jette Gejl Kristensen
Author(s): Ulla Angkjær Jørgensen
Volume: 4
Year: 2012
Author(s): Ulla Angkjær Jørgensen Volume: 4 Year: 2012
Screens of intensification: on DIY concert videos of Lady Gaga and the use of media interfaces as tools of experience intensification
Author(s): Carsten Stage
Volume: 4
Year: 2012
Author(s): Carsten Stage Volume: 4 Year: 2012
Thinking in networks: artistic–architectural responses to ubiquitous information
Author(s): Yvonne Spielmann
Volume: 3
Year: 2011
Author(s): Yvonne Spielmann Volume: 3 Year: 2011
The wor(l)d of the animal. Adorno on art's expression of suffering
Author(s): Camilla Flodin
Volume: 3
Year: 2011
Author(s): Camilla Flodin Volume: 3 Year: 2011
Traumatic pasts, literary afterlives, and transcultural memory: new directions of literary and media memory studies
Author(s): Astrid Erll
Volume: 3
Year: 2011
Author(s): Astrid Erll Volume: 3 Year: 2011
The holy fool as a TV hero: about Pavel Lungin's film The Island and the problem of authenticity
Author(s): Per-Arne Bodin
Volume: 3
Year: 2011
Author(s): Per-Arne Bodin Volume: 3 Year: 2011
Aspects of memory acts: transnational cultural memory and ethics
Author(s): Steffi Hobuß
Volume: 3
Year: 2011
Author(s): Steffi Hobuß Volume: 3 Year: 2011
The object of fashion: methodological approaches to the history of fashion
Author(s): Giorgio Riello
Volume: 3
Year: 2011
Author(s): Giorgio Riello Volume: 3 Year: 2011
Transnational sense of place: cinematic scenes of Finnish war child memories
Author(s): Anna-Kaisa Kuusisto-Arponen
Volume: 3
Year: 2011
Author(s): Anna-Kaisa Kuusisto-Arponen Volume: 3 Year: 2011
Cinematic shots and cuts: on the ethics and semiotics of real violence in film fiction
Author(s): Erik van Ooijen
Volume: 3
Year: 2011
Author(s): Erik van Ooijen Volume: 3 Year: 2011
Introduction to the dossier on transnational cultural memory
Author(s): John Sundholm | Adrian Velicu
Volume: 3
Year: 2011
Author(s): John Sundholm | Adrian Velicu Volume: 3 Year: 2011
Cultural memory between the national and the transnational
Author(s): Adrian Velicu
Volume: 3
Year: 2011
Author(s): Adrian Velicu Volume: 3 Year: 2011
Ingmar Bergman, the biographical legend and the intermedialities of memory
Author(s): Maaret Koskinen
Volume: 2
Issue: 00
Year: 2010
Author(s): Maaret Koskinen Volume: 2 Issue: 00 Year: 2010
EDITORIAL
Author(s): Astrid Söderbergh Widding | Lars Gustaf Andersson | John Sundholm
Volume: 2
Year: 2010
Author(s): Astrid Söderbergh Widding | Lars Gustaf Andersson | John Sundholm Volume: 2 Year: 2010
What it is? A question on the derivation of musical meaning
Author(s): Michael Laurence Woods
Volume: 2
Year: 2010
Author(s): Michael Laurence Woods Volume: 2 Year: 2010
Ingmar Bergman, the biographical legend and the intermedialities of memory
Author(s): Maaret Koskinen
Volume: 2
Year: 2010
Author(s): Maaret Koskinen Volume: 2 Year: 2010
