The dancing body of Futurism: aviation history and the attempt of dancing and flying Il corpo danzante del futurismo: storia dell’aviazione e tentativo di volare danzando
Author(s): Sayaka Yokota
Volume: 2
Issue: 3
Year: 2012




“Visual design and dance”: la danza come strumento di ricerca “Visual design and dance”: dance as a research instrument
Author(s): Cristina Barbiani
Volume: 2
Issue: 3
Year: 2012




Trame di tecniche e stili nelle tradizioni della danza contemporanea. Note su studi e ricerche Textures of techniques and styles in contemporary dance traditions. Notes
Author(s): Francesca Magnini
Volume: 2
Issue: 3
Year: 2012




Mary Wigman: the coreography of Carmina Burana Mary Wigman: la coreografia dei Carmina Burana
Author(s): Elena Randi
Volume: 2
Issue: 3
Year: 2012




Jean-Pierre and Luc Dardenne: a cinema that dances Jean-Pierre e Luc Dardenne: un cinema che danza
Author(s): Maria Federica Gesù
Volume: 2
Issue: 3
Year: 2012




Jan Fabre: morte e rinascita del teatro Jan Fabre: death and rebirth of the theater
Author(s): Roberto Giambrone
Volume: 2
Issue: 3
Year: 2012




Prehistoric iconography and dance: preliminary observations Iconografia preistorica e danza: osservazioni preliminari
Author(s): Gaudenzio Ragazzi
Volume: 2
Issue: 3
Year: 2012




L’opera d’arte di danza. Ovvero: Come dovrebbe concretamente vivere
Author(s): Rudolf von Laban
Volume: 2
Issue: 3
Year: 2012




The antibody Hijikata Tatsumi L'anticorpo di Hijikata Tatsumi
Author(s): Éden Peretta
Volume: 2
Issue: 3
Year: 2012




Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011 Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge, CUP, 2011
Author(s): Stefania Onesti
Volume: 2
Issue: 3
Year: 2012




A picture story of Coppélia ou La Fille aux yeux d'émail La bambola di Cagliostro. Una storia per immagini di Coppélia ou La Fille aux yeux d'émail
Author(s): Concetta Lo Iacono
Volume: 2
Issue: 3
Year: 2012




La danza delle lucciole. Oralità e trasmissione nell’opera di Virgilio Sieni The Dance of Fireflies. Orality and Transmission in Virgilio Sieni’s Work
Author(s): Rossella Mazzaglia
Volume: 1
Issue: 1/2
Year: 2011




Strategie di spiazzamento: la sottotraccia politica della danza di MK Displacement strategies. The political as the ghost track of the dance of MK
Author(s): Olivia Giovannini
Volume: 1
Issue: 1/2
Year: 2011




La disciplina coreologica in Europa. Problemi e prospettive. A cura di Cecilia Nocilli e Alessandro Pontremoli, Roma, Aracne, 2010
Author(s): Rossella Mazzaglia
Volume: 1
Issue: 1/2
Year: 2011




The hysterical body. Madness and discipline in the contemporary dance Il corpo isterico. Follia e disciplina nella danza contemporanea
Author(s): Roberto Giambrone
Volume: 1
Issue: 1/2
Year: 2011




The wandering of Rudolf Laban in the pedagogical paths of the body L’erranza pedagogica di Rudolf Laban nei sentieri del corpo
Author(s): Franca Zagatti
Volume: 1
Issue: 1/2
Year: 2011




Atlante del bianco: new dancers on the contemporary scenes In ascolto, verso un Atlante del bianco. Nuovi danzatori sulle scene dello spettacolo contemporaneo
Author(s): Gaia Germanà
Volume: 1
Issue: 1/2
Year: 2011




Eurythmy. When spirituality opens a window to emotions Euritmia. Quando la spiritualità apre uno spiraglio all’emozione
Author(s): Monica Cristini
Volume: 1
Issue: 1/2
Year: 2011




In ascolto, verso un Atlante del bianco. Nuovi danzatori sulle scene dello spettacolo contemporaneo Atlante del bianco: new dancers on the contemporary scenes
Author(s): Gaia Germanà
Volume: 1
Issue: 1/2
Year: 2011




Displacement strategies. The political as the ghost track of the dance of MK Strategie di spiazzamento: la sottotraccia politica della danza di MK
Author(s): Olivia Giovannini
Volume: 1
Issue: 1/2
Year: 2011




“Nicht Spiegel, sondern Flamme sein”. The Cellule by Jean [Hans] Weidt “Nicht Spiegel, sondern Flamme sein”. La Cellule di Jean [Hans] Weidt
Author(s): Sara Dal Corso
Volume: 1
Issue: 1/2
Year: 2011




L’autoportrait à pinces. Variations sur l’art du solo dansé L’autoportrait à pinces. Variations sur l’art du solo dansé
Author(s): Dominique Dupuy
Year: 2009


Dance Anthropology: a discipline in expansion Antropologia della danza: una disciplina in espansione
Author(s): Diana Del Monte
Year: 2009


Nympha: a changing paradigm for dance iconography Ninfa: un paradigma mutante per l’Iconografia della danza
Author(s): Silvia Mei
Year: 2009


L’esperienza dell’altro nella Contact Improvisation: un percorso fenomenologico dall’avere all’essere The experience of the other in the Contact Improvisation: a phenomenological path from having to being
Author(s): Livia Motterle
Year: 2009


Identities at the mirror. Reflections on the Afro-American conscience from The Last Supper at Uncle Tom’s Cabin/The Promised Land di Bill T. Jones Identità allo specchio. Riflessioni sulla coscienza afro-americana a partire da The Last Supper at Uncle Tom’s Cabin/The Promised Land di Bill T. Jones
Author(s): Rossella Mazzaglia
Year: 2009


Resistance to the Society of the Spectacle: the “nikutai” in Murobushi Kō
Author(s): Katja Centonze
Year: 2009


Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine Filosofia e danza in dialogo. Quando la filosofia illumina la danza come pensiero dell'essere ed esperienza del divino
Author(s): Clara Sinibaldi
Year: 2009


The experience of the other in the Contact Improvisation: a phenomenological path from having to being L’esperienza dell’altro nella Contact Improvisation: un percorso fenomenologico dall’avere all’essere
Author(s): Livia Motterle
Year: 2009

