‘What is ‘Czech’ in Art in Bohemia? Alfred Woltmann and defensive mechanisms of Czech artistic historiography’
Author(s): Jindrich Vybiral
Volume: 8
Year: 2013
Author(s): Jindrich Vybiral Volume: 8 Year: 2013
’The origins of art history in Hungary’’’ trans. and ed. Matthew Rampley
Author(s): Ernő Marosi
Volume: 8
Year: 2013
Author(s): Ernő Marosi Volume: 8 Year: 2013
‘The Strzygowski School of Cluj. An episode in interwar Romanian cultural politics’
Author(s): Matthew Rampley
Volume: 8
Year: 2013
Author(s): Matthew Rampley Volume: 8 Year: 2013
‘Ksawery Piwocki and the Vienna and Lvov Schools of Art History’
Author(s): Wojciech Bałus
Volume: 8
Year: 2013
Author(s): Wojciech Bałus Volume: 8 Year: 2013
Continuity and discontinuity in the Czech legacy of the Vienna School of Art History
Author(s): Milena Bartlová
Volume: 8
Year: 2013
Author(s): Milena Bartlová Volume: 8 Year: 2013
‘Marian Sokołowski: patriotism and the genesis of scientific art history in Poland’
Author(s): Magdalena Kunińska
Volume: 8
Year: 2013
Author(s): Magdalena Kunińska Volume: 8 Year: 2013
‘Between East and West: The Vienna School and the idea of Czechoslovak art’
Author(s): Marta Filipova
Volume: 8
Year: 2013
Author(s): Marta Filipova Volume: 8 Year: 2013
‘The political reception of the Vienna School: Josef Strzygowski and Serbian art history’
Author(s): Nenad Makuljević
Volume: 8
Year: 2013
Author(s): Nenad Makuljević Volume: 8 Year: 2013
‘The Cracow school of modern art history: the creation of a method and an institution 1850-1880’
Author(s): Stefan Muthesius
Volume: 8
Year: 2013
Author(s): Stefan Muthesius Volume: 8 Year: 2013
‘Introduction: The Vienna School beyond Vienna. Art history in Central Europe’
Author(s): Matthew Rampley
Volume: 8
Year: 2013
Author(s): Matthew Rampley Volume: 8 Year: 2013
‘Countering memory loss through misrepresentation: what does she think feminist art history is?’, Julie M. Johnson, The Memory Factory: The Forgotten Women Artists of Vienna 1900
Author(s): Griselda Pollock
Volume: 8
Year: 2013
Author(s): Griselda Pollock Volume: 8 Year: 2013
‘‘Domenico Theotocopuli El Greco. Notes from an exhibition of El Greco in Munich’’ trans. and ed. Matthew Rampley
Author(s): Emil Filla
Volume: 8
Year: 2013
Author(s): Emil Filla Volume: 8 Year: 2013
‘Rethinking the geography of art history’, Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe.
Author(s): Matthew Rampley
Volume: 8
Year: 2013
Author(s): Matthew Rampley Volume: 8 Year: 2013
“Obituary of Franz Wickhoff” trans. and ed. Marta Filipova
Author(s): Vincenc Kramář
Volume: 8
Year: 2013
Author(s): Vincenc Kramář Volume: 8 Year: 2013
”A special place at a special time”: Françoise Henry's diaries on Inishkea North (Ireland). Janet T. Marquardt (ed.), Françoise Henry in Co. Mayo. The Inishkea Journals, Four Courts Press, 2012
Author(s): Ana Hernández
Volume: 7
Year: 2012
Author(s): Ana Hernández Volume: 7 Year: 2012
Just what is it that makes English artwriting so different, so appealing?
Author(s): Douglas Fordham
Volume: 7
Year: 2012
Author(s): Douglas Fordham Volume: 7 Year: 2012
Making and matching: aesthetic judgement and the production of art historical knowledge
Author(s): Francis Halsall
Volume: 7
Year: 2012
Author(s): Francis Halsall Volume: 7 Year: 2012
Alexander Conze, “Greek Relief Sculpture”. Originally published as ‘Über das Relief bei den Griechen’, Sitzungsberichte der Königlich Preussischen Akademie der Wissenschaften zu Berlin. Gesammtsitzung vom 25. Mai, 1882, no. 26, pp. 1-15 (pp. 563-577).
Author(s): Karl Johns (trans & ed.)
Volume: 7
Year: 2012
Author(s): Karl Johns (trans & ed.) Volume: 7 Year: 2012
'Carl Justi: Modern Errors’. Johannes Rößler, Carl Justi. Moderne Irrtümer, Briefe und Aphorismen, Matthes & Seitz, 2012
Author(s): Eric C. Garberson
Volume: 7
Year: 2012
Author(s): Eric C. Garberson Volume: 7 Year: 2012
Picturing Pollock: Photography’s Challenge to the Historiography of Abstract Expressionism
Author(s): Peter R. Kalb
Volume: 7
Year: 2012
Author(s): Peter R. Kalb Volume: 7 Year: 2012
”Theory, Method & the Future of Pre-Columbian Art History”, 100th Annual Conference of the College Art Association - Los Angeles, California - February 24, 2010” Contributors: Cecelia F. Klein, Introductions; Esther Pasztory, ‘Pre-Columbian Art and World Art History’; Mary Miller, ‘Now You See It, Now You Don’t: Pre-Columbian Art in the American Museum . . . and in the Academy’; Elizabeth Hill Boone, ‘What Do You Say When There Are No Words?’; Tom Cummins, ‘Looking Back at the Future of Pre-Columbian Art History’; Carolyn Dean, ‘The Elusive Future of Pre-Columbian Art History’; Claudia Brittenham, ‘Interdisciplinary, International, Indispensable’.
Author(s): Cecelia F. Klein | Esther Pasztory | Mary Miller | Elizabeth Hill Boone | Tom Cummins | Carolyn Dean | Claudia Brittenham
Volume: 7
Year: 2012
Author(s): Cecelia F. Klein | Esther Pasztory | Mary Miller | Elizabeth Hill Boone | Tom Cummins | Carolyn Dean | Claudia Brittenham Volume: 7 Year: 2012
Restoring Charlemagne’s chapel: historical consciousness, material culture, and transforming images of Aachen in the 1840s
Author(s): Jenny H. Shaffer
Volume: 7
Year: 2012
Author(s): Jenny H. Shaffer Volume: 7 Year: 2012
Unexpected Turns: The Aesthetic, the Pathetic and the Adversarial in the Long Durée of Art’s Histories
Author(s): Griselda Pollock
Volume: 7
Year: 2012
Author(s): Griselda Pollock Volume: 7 Year: 2012
”Art and psychoanalysis – 15 June 1988. Speakers: Professor Joseph Sandler and Professor Sir Ernst Gombrich”, part of the series “Dialogues on Contemporary Issues” hosted by the British Psycho-Analytical Society in the summer term of 1988
Author(s): Rachel Dedman (ed.) | Joseph Sandler | Ernst Gombrich
Volume: 7
Year: 2012
Author(s): Rachel Dedman (ed.) | Joseph Sandler | Ernst Gombrich Volume: 7 Year: 2012
Virtual Pilgrimages in the Convent. Kathryn M. Rudy, Virtual Pilgrimages in the Convent. Imagining Jerusalem in the Late Middle Ages (Disciplina Monastica. Studies on Medieval Monastic Life 8), Brepols, 2011
Author(s): Catherine Oakes
Volume: 7
Year: 2012
Author(s): Catherine Oakes Volume: 7 Year: 2012
‘”A heuristic event”: reconsidering the problem of the Johnsian conversation
Author(s): Amy K. Hamlin
Volume: 7
Year: 2012
Author(s): Amy K. Hamlin Volume: 7 Year: 2012
From Ringbom to Ringbom: The art of art history of Lars-Ivar Ringbom and Sixten Ringbom: A mythmaker and a myth-breaker in Åbo, Finland
Author(s): Marja Väätäinen
Volume: 7
Year: 2012
Author(s): Marja Väätäinen Volume: 7 Year: 2012
The beginnings of the "Cracow School of Art History" from Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe (2012)
Author(s): Stefan Muthesius
Volume: 7
Year: 2012
Author(s): Stefan Muthesius Volume: 7 Year: 2012
Islamic Architecture as a Field of Historical Enquiry, AD Architectural Design, 74(6), 2004 Reproduced by courtesy of the publishers John Wiley & Sons Ltd.
Author(s): Nasser Rabbat
Volume: 7
Year: 2012
Author(s): Nasser Rabbat Volume: 7 Year: 2012
Making and seeing: Matisse and the Kuba decorative “system”
Author(s): John Mack
Volume: 7
Year: 2012
Author(s): John Mack Volume: 7 Year: 2012
Images for 'Location and the experience of early Netherlandish art’
Author(s): Jeanne Nuechterlein
Volume: 7
Year: 2012
Author(s): Jeanne Nuechterlein Volume: 7 Year: 2012
Ornament and object—ornament as object. Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, Yale University Press, 2012
Author(s): Spyros Papapetros
Volume: 7
Year: 2012
Author(s): Spyros Papapetros Volume: 7 Year: 2012
Interrogating interiors. Denise Amy Baxter and Meredith Martin (eds), Architectural space in eighteenth-century Europe: Constructing identities and interiors, Ashgate, 2010
Author(s): Mimi Hellman
Volume: 7
Year: 2012
Author(s): Mimi Hellman Volume: 7 Year: 2012
Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002
Author(s): Jim Berryman
Volume: 7
Year: 2012
Author(s): Jim Berryman Volume: 7 Year: 2012
Alexander Conze, “On the Origin of the Visual Arts”, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences]. Originally published as ‘Über den Ursprung der bildenden Kunst‘, Sitzungsberichte der Königlich Preußischen Akademie der Wissenschaften zu Berlin. Gesammtsitzung vom 11. Februar 1897, Berlin: Reichsdruckerei 1897, pp. 98-109.
Author(s): Karl Johns (trans & ed.) | Alexander Conze
Volume: 7
Year: 2012
Author(s): Karl Johns (trans & ed.) | Alexander Conze Volume: 7 Year: 2012
Meyer Schapiro on style in art and science: Notes from a Theory and Methods of Art History graduate seminar lecture course, Columbia University, New York, 1973
Author(s): Terry Smith
Volume: 7
Year: 2012
Author(s): Terry Smith Volume: 7 Year: 2012
Formalism in the first half of the twentieth century: ‘pure science’ or a case of effective rhetoric? Mitchell B. Frank and Daniel Adler (eds), German Art History and Scientific Thought – Beyond Formalism, Ashgate, 2012
Author(s): Arnold Witte
Volume: 7
Year: 2012
Author(s): Arnold Witte Volume: 7 Year: 2012
Constructing African Art Histories for the Lagoons of Côte d’Ivoire. Monica Blackmun Visona, Constructing African Art Histories for the Lagoons of Côte d’Ivoire, Ashgate, 2010
Author(s): Robert T. Soppelsa
Volume: 7
Year: 2012
Author(s): Robert T. Soppelsa Volume: 7 Year: 2012
Ernst Gombrich and Western representations of the sacred art of India
Author(s): Partha Mitter
Volume: 7
Year: 2012
Author(s): Partha Mitter Volume: 7 Year: 2012
Tables for ‘Art History in the University II: Ernst Guhl’
Author(s): Eric Garberson
Volume: 7
Year: 2012
Author(s): Eric Garberson Volume: 7 Year: 2012
The importance of being Ernst: a reassessment of E. H. Gombrich’s relationship with psychoanalysis
Author(s): Rachel Dedman
Volume: 7
Year: 2012
Author(s): Rachel Dedman Volume: 7 Year: 2012
When sculpture became more than “something you bump into when you back up to look at a painting”’. Christopher R. Marshall (ed.), Sculpture and the Museum, Ashgate 2011
Author(s): Antonia Boström
Volume: 7
Year: 2012
Author(s): Antonia Boström Volume: 7 Year: 2012
Location and the experience of early Netherlandish art
Author(s): Jeanne Nuechterlein
Volume: 7
Year: 2012
Author(s): Jeanne Nuechterlein Volume: 7 Year: 2012
Book received: Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe, 2 vols, Toruń: Society of Modern Art and Tako Publishing House, 2012
Author(s): Jerzy Malinowski (ed.)
Volume: 7
Year: 2012
Author(s): Jerzy Malinowski (ed.) Volume: 7 Year: 2012
Welcome to the revolution: The sensory turn and art history
Author(s): Jenni Lauwrens
Volume: 7
Year: 2012
Author(s): Jenni Lauwrens Volume: 7 Year: 2012
