‘What is ‘Czech’ in Art in Bohemia? Alfred Woltmann and defensive mechanisms of Czech artistic historiography’

Author(s): Jindrich Vybiral
Volume: 8
Year: 2013




’The origins of art history in Hungary’’’ trans. and ed. Matthew Rampley

Author(s): Ernő Marosi
Volume: 8
Year: 2013




‘The Strzygowski School of Cluj. An episode in interwar Romanian cultural politics’

Author(s): Matthew Rampley
Volume: 8
Year: 2013




‘Ksawery Piwocki and the Vienna and Lvov Schools of Art History’

Author(s): Wojciech Bałus
Volume: 8
Year: 2013




Continuity and discontinuity in the Czech legacy of the Vienna School of Art History

Author(s): Milena Bartlová
Volume: 8
Year: 2013




‘Marian Sokołowski: patriotism and the genesis of scientific art history in Poland’

Author(s): Magdalena Kunińska
Volume: 8
Year: 2013




‘Between East and West: The Vienna School and the idea of Czechoslovak art’

Author(s): Marta Filipova
Volume: 8
Year: 2013




‘The political reception of the Vienna School: Josef Strzygowski and Serbian art history’

Author(s): Nenad Makuljević
Volume: 8
Year: 2013




‘The Cracow school of modern art history: the creation of a method and an institution 1850-1880’

Author(s): Stefan Muthesius
Volume: 8
Year: 2013




‘Introduction: The Vienna School beyond Vienna. Art history in Central Europe’

Author(s): Matthew Rampley
Volume: 8
Year: 2013




‘Countering memory loss through misrepresentation: what does she think feminist art history is?’, Julie M. Johnson, The Memory Factory: The Forgotten Women Artists of Vienna 1900

Author(s): Griselda Pollock
Volume: 8
Year: 2013




‘‘Domenico Theotocopuli El Greco. Notes from an exhibition of El Greco in Munich’’ trans. and ed. Matthew Rampley

Author(s): Emil Filla
Volume: 8
Year: 2013




‘Rethinking the geography of art history’, Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe.

Author(s): Matthew Rampley
Volume: 8
Year: 2013




“Obituary of Franz Wickhoff” trans. and ed. Marta Filipova

Author(s): Vincenc Kramář
Volume: 8
Year: 2013




”A special place at a special time”: Françoise Henry's diaries on Inishkea North (Ireland). Janet T. Marquardt (ed.), Françoise Henry in Co. Mayo. The Inishkea Journals, Four Courts Press, 2012

Author(s): Ana Hernández
Volume: 7
Year: 2012




Just what is it that makes English artwriting so different, so appealing?

Author(s): Douglas Fordham
Volume: 7
Year: 2012




Making and matching: aesthetic judgement and the production of art historical knowledge

Author(s): Francis Halsall
Volume: 7
Year: 2012




Alexander Conze, “Greek Relief Sculpture”. Originally published as ‘Über das Relief bei den Griechen’, Sitzungsberichte der Königlich Preussischen Akademie der Wissenschaften zu Berlin. Gesammtsitzung vom 25. Mai, 1882, no. 26, pp. 1-15 (pp. 563-577).

Author(s): Karl Johns (trans & ed.)
Volume: 7
Year: 2012




'Carl Justi: Modern Errors’. Johannes Rößler, Carl Justi. Moderne Irrtümer, Briefe und Aphorismen, Matthes & Seitz, 2012

Author(s): Eric C. Garberson
Volume: 7
Year: 2012




Picturing Pollock: Photography’s Challenge to the Historiography of Abstract Expressionism

Author(s): Peter R. Kalb
Volume: 7
Year: 2012




”Theory, Method & the Future of Pre-Columbian Art History”, 100th Annual Conference of the College Art Association - Los Angeles, California - February 24, 2010” Contributors: Cecelia F. Klein, Introductions; Esther Pasztory, ‘Pre-Columbian Art and World Art History’; Mary Miller, ‘Now You See It, Now You Don’t: Pre-Columbian Art in the American Museum . . . and in the Academy’; Elizabeth Hill Boone, ‘What Do You Say When There Are No Words?’; Tom Cummins, ‘Looking Back at the Future of Pre-Columbian Art History’; Carolyn Dean, ‘The Elusive Future of Pre-Columbian Art History’; Claudia Brittenham, ‘Interdisciplinary, International, Indispensable’.

Author(s): Cecelia F. Klein | Esther Pasztory | Mary Miller | Elizabeth Hill Boone | Tom Cummins | Carolyn Dean | Claudia Brittenham
Volume: 7
Year: 2012




Restoring Charlemagne’s chapel: historical consciousness, material culture, and transforming images of Aachen in the 1840s

Author(s): Jenny H. Shaffer
Volume: 7
Year: 2012




Unexpected Turns: The Aesthetic, the Pathetic and the Adversarial in the Long Durée of Art’s Histories

Author(s): Griselda Pollock
Volume: 7
Year: 2012




”Art and psychoanalysis – 15 June 1988. Speakers: Professor Joseph Sandler and Professor Sir Ernst Gombrich”, part of the series “Dialogues on Contemporary Issues” hosted by the British Psycho-Analytical Society in the summer term of 1988

Author(s): Rachel Dedman (ed.) | Joseph Sandler | Ernst Gombrich
Volume: 7
Year: 2012




Virtual Pilgrimages in the Convent. Kathryn M. Rudy, Virtual Pilgrimages in the Convent. Imagining Jerusalem in the Late Middle Ages (Disciplina Monastica. Studies on Medieval Monastic Life 8), Brepols, 2011

Author(s): Catherine Oakes
Volume: 7
Year: 2012




‘”A heuristic event”: reconsidering the problem of the Johnsian conversation

Author(s): Amy K. Hamlin
Volume: 7
Year: 2012




From Ringbom to Ringbom: The art of art history of Lars-Ivar Ringbom and Sixten Ringbom: A mythmaker and a myth-breaker in Åbo, Finland

Author(s): Marja Väätäinen
Volume: 7
Year: 2012




The beginnings of the "Cracow School of Art History" from Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe (2012)

Author(s): Stefan Muthesius
Volume: 7
Year: 2012




Islamic Architecture as a Field of Historical Enquiry, AD Architectural Design, 74(6), 2004 Reproduced by courtesy of the publishers John Wiley & Sons Ltd.

Author(s): Nasser Rabbat
Volume: 7
Year: 2012




Making and seeing: Matisse and the Kuba decorative “system”

Author(s): John Mack
Volume: 7
Year: 2012




Images for 'Location and the experience of early Netherlandish art’

Author(s): Jeanne Nuechterlein
Volume: 7
Year: 2012




Ornament and object—ornament as object. Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, Yale University Press, 2012

Author(s): Spyros Papapetros
Volume: 7
Year: 2012




Interrogating interiors. Denise Amy Baxter and Meredith Martin (eds), Architectural space in eighteenth-century Europe: Constructing identities and interiors, Ashgate, 2010

Author(s): Mimi Hellman
Volume: 7
Year: 2012




Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002

Author(s): Jim Berryman
Volume: 7
Year: 2012




Alexander Conze, “On the Origin of the Visual Arts”, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences]. Originally published as ‘Über den Ursprung der bildenden Kunst‘, Sitzungsberichte der Königlich Preußischen Akademie der Wissenschaften zu Berlin. Gesammtsitzung vom 11. Februar 1897, Berlin: Reichsdruckerei 1897, pp. 98-109.

Author(s): Karl Johns (trans & ed.) | Alexander Conze
Volume: 7
Year: 2012




Meyer Schapiro on style in art and science: Notes from a Theory and Methods of Art History graduate seminar lecture course, Columbia University, New York, 1973

Author(s): Terry Smith
Volume: 7
Year: 2012




Formalism in the first half of the twentieth century: ‘pure science’ or a case of effective rhetoric? Mitchell B. Frank and Daniel Adler (eds), German Art History and Scientific Thought – Beyond Formalism, Ashgate, 2012

Author(s): Arnold Witte
Volume: 7
Year: 2012




Constructing African Art Histories for the Lagoons of Côte d’Ivoire. Monica Blackmun Visona, Constructing African Art Histories for the Lagoons of Côte d’Ivoire, Ashgate, 2010

Author(s): Robert T. Soppelsa
Volume: 7
Year: 2012




Ernst Gombrich and Western representations of the sacred art of India

Author(s): Partha Mitter
Volume: 7
Year: 2012




Tables for ‘Art History in the University II: Ernst Guhl’

Author(s): Eric Garberson
Volume: 7
Year: 2012




The importance of being Ernst: a reassessment of E. H. Gombrich’s relationship with psychoanalysis

Author(s): Rachel Dedman
Volume: 7
Year: 2012




When sculpture became more than “something you bump into when you back up to look at a painting”’. Christopher R. Marshall (ed.), Sculpture and the Museum, Ashgate 2011

Author(s): Antonia Boström
Volume: 7
Year: 2012




Location and the experience of early Netherlandish art

Author(s): Jeanne Nuechterlein
Volume: 7
Year: 2012




Book received: Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe, 2 vols, Toruń: Society of Modern Art and Tako Publishing House, 2012

Author(s): Jerzy Malinowski (ed.)
Volume: 7
Year: 2012




Welcome to the revolution: The sensory turn and art history

Author(s): Jenni Lauwrens
Volume: 7
Year: 2012



