The Actor’s Work and the Art of Fictionalising Oneself

Author(s): Celina Nunes de Alcântara
Volume: 3
Issue: 3
Year: 2013

The Presence of Legacies in Contemporary Argentine Performances

Author(s): Federico Baeza
Volume: 3
Issue: 3
Year: 2013

Interventions in the Public Space: performance, gaze, and the city

Author(s): María Laura González
Volume: 3
Issue: 3
Year: 2013

The Staging of a Point of View and Testimony of the Bodies in Vivi Tellas’s Documentary Theatre

Author(s): Pamela Brownell
Volume: 3
Issue: 3
Year: 2013

Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids

Author(s): Ezequiel Lozano
Volume: 3
Issue: 3
Year: 2013

Transvestite Corporeality in the Poetic Deformance of Naty Menstrual

Author(s): Guillermina Bevacqua
Volume: 3
Issue: 3
Year: 2013

Intimate Rites and Ethical Proposals in Vivi Tellas’s Project Museums

Author(s): Brenda Werth
Volume: 3
Issue: 3
Year: 2013

Psychophysical Precision in the Total Act

Author(s): Lidia Olinto | Matteo Bonfitto
Volume: 3
Issue: 3
Year: 2013

Actor’s Dramaturgy: pulling threads from a thick plot

Author(s): Alice Stefânia Curi
Volume: 3
Issue: 3
Year: 2013

Postdramatic Theatre, 12 years later

Author(s): Hans-Thies Lehmann
Volume: 3
Issue: 3
Year: 2013

Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 3
Issue: 2
Year: 2013

For a Theatrical Genetics: assumptions and challenges

Author(s): Almuth Grésillon | Marie-Madeleine Mervant-Roux | Dominique Budor
Volume: 3
Issue: 2
Year: 2013

Around Refuse The Hour, Kentridge and his Space-Time of Creation

Author(s): Fanny Le Borgne
Volume: 3
Issue: 2
Year: 2013

Traces that Emulate Figures: the staging of Samuel Beckett’s Ohio Impromptu

Author(s): Luiz Marfuz
Volume: 3
Issue: 2
Year: 2013

A Tale of Encounters with Lia Rodrigues Cia. de Danças

Author(s): Bianca Scliar Mancini
Volume: 3
Issue: 2
Year: 2013

Expediente

Volume: 3
Issue: 2
Year: 2013

The Production of Theater: stakes and paradoxes

Author(s): Josette Féral
Volume: 3
Issue: 2
Year: 2013

Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre

Author(s): Almuth Grésillon | Marie-Madeleine Mervant-Roux
Volume: 3
Issue: 2
Year: 2013

Performativity and Genesis of the Scene

Author(s): Sílvia Fernandes
Volume: 3
Issue: 2
Year: 2013

The Manuscript Traces of the Spectacle: staging records

Author(s): Fahd Kaghat
Volume: 3
Issue: 2
Year: 2013

Beyond Technology, there Stands Magic

Author(s): Lúcia Fernandes Lobato
Volume: 3
Issue: 2
Year: 2013

Arthur Lessac: an essay on Body energies in actor’s training

Author(s): Maria Regina Tocchetto de Oliveira
Volume: 3
Issue: 2
Year: 2013

A Diary of Genesis: L’Atelier Volant by Valère Novarina

Author(s): Jean-Marie Thomasseau
Volume: 3
Issue: 2
Year: 2013

Genetics of a Reenactment in Jan Fabre’s Work

Author(s): Giulio Boato
Volume: 3
Issue: 2
Year: 2013

A Prop’s Story: from everyday life to the stage

Author(s): Filipa Malva
Volume: 3
Issue: 2
Year: 2013

Pan Pan Theatre Aesthetics

Author(s): Noelia Ruiz
Volume: 3
Issue: 2
Year: 2013

Presence or the Quality of Discreetly Being There

Author(s): Maíra Castilhos Coelho
Volume: 3
Issue: 2
Year: 2013

Maps and Paths: bodily practices and transculturality

Author(s): Fernando Antonio Mencarelli
Volume: 3
Issue: 1
Year: 2013

Expediente

Author(s): Revista Brasileira de Estudos de Presença
Volume: 3
Issue: 1
Year: 2013

Via Negativa as a Crossing Space: actor training and its connection with the Real

Author(s): Carla Andréa Lima
Volume: 3
Issue: 1
Year: 2013

Essence and Personality in Grotowski and Gurdjieff

Author(s): Mauro Rodrigues
Volume: 3
Issue: 1
Year: 2013

The Art of the Encounter

Author(s): Éric Vautrin
Volume: 3
Issue: 1
Year: 2013

Notes about “Art as a Vehicle” and the Alchemical Craft of the Performer

Author(s): Cassiano Sydow Quilici
Volume: 3
Issue: 1
Year: 2013

The Guest-Spectator

Author(s): Piergiorgio Giacchè
Volume: 3
Issue: 1
Year: 2013

At Work with Grotowski on Physical Actions

Author(s): Patricia Furtado de Mendonça
Volume: 3
Issue: 1
Year: 2013

Becoming Someone’s Son: reflections about organon, technique and tradition in Grotowski’s work

Author(s): Daniel Reis Plá
Volume: 3
Issue: 1
Year: 2013

Poor Theatre: goal or path?

Author(s): Lidia Olinto
Volume: 3
Issue: 1
Year: 2013

Brook avec Grotowski: testimony of life and art of a certain Pole

Author(s): Larissa Elias
Volume: 3
Issue: 1
Year: 2013

A Meeting at the University of Rome “La Sapienza” or On Onion-Growing

Author(s): Mario Biagini
Volume: 3
Issue: 1
Year: 2013

On The Living Room

Author(s): Thomas Richards
Volume: 3
Issue: 1
Year: 2013

“Sing, something might happen”: about the songs and the act of singing in the research of the Workcenter of Jerzy Grotowski and Thomas Richards

Author(s): Tatiana Motta Lima
Volume: 3
Issue: 1
Year: 2013

Deconstructing Grotowski

Author(s): Dorys Faria Calvert
Volume: 3
Issue: 1
Year: 2013

Editorial

Author(s): Gilberto Icle | Celina Nunes de Alcântara | Marcelo de Andrade Pereira | Márcio Müller
Volume: 3
Issue: 1
Year: 2013

The Century of Jerzy Grotowski

Author(s): Antonio Attisani
Volume: 3
Issue: 1
Year: 2013

The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski

Author(s): Yannick Butel
Volume: 3
Issue: 1
Year: 2013

“A Quite Diferent Life”

Author(s): Ricardo Carlos Gomes
Volume: 3
Issue: 1
Year: 2013

The Inner Man and his Deed: Jerzy Grotowski and the legacy of Adam Mickiewicz and polish romanticism

Author(s): Kris Salata
Volume: 3
Issue: 1
Year: 2013

The Laboratory Theatre Spectator’s Paradox

Author(s): Bénédicte Boisson
Volume: 3
Issue: 1
Year: 2013

Apresentação: para reler Grotowski

Author(s): Tatiana Motta Lima
Volume: 3
Issue: 1
Year: 2013

Notes on The Living Room and I am America

Author(s): Antonio Attisani
Volume: 3
Issue: 1
Year: 2013